“The Ugly Art” is the fourth album by digital hardcore duo Machine Girl. It’s loud, lo-fi, aggressive, fuzzy, futuristic, disorienting, and, as the title suggests, often ugly. What I just described may sound horrible to […]
The evolution of Providence industrial/noise-rock outfit Daughters has been one of the most interesting and exciting in recent rock music. The band’s 2003 debut, “Canada Songs,” was a fast and chaotic grindcore album, which featured […]
The late 2000s and early 2010s saw a renaissance of alternative and punk rock bands. Some prominent acts spearheading this movement were Balance and Composure, Title Fight, La Dispute, and Basement. These bands defined the […]
It seems that 2018 is the year of pop-punk or emo album releases. The year started off with Fall Out Boy’s new album, “Mania,” and Waterparks’ new album, “Entertainment.” Mania is the definition of mainstream, […]
*Iconic lighter flick* What comes to your mind when you think of the modern rap game? For many people, the current image involves face tattoos, autotune, drugs, and choppy flows. Whether these progressions are good […]
Eighteen years since the release of their debut EP, Philadelphia post-hardcore band mewithoutYou released two companion pieces, which serve to highlight how the band has evolved over nearly two decades. Over the summer, a press […]
After the success of their “Saturation” trilogy and the departure of rapper and alleged predator Ameer Vann, “America’s favorite boy band,” Brockhampton, is trying to reinvent itself with “iridescence,” the first entry in a new […]
St. Louis indie rock band Foxing’s third record, “Nearer My God,” is an album about religion, grieving the death of friends, and maturation. It also just might be the band’s masterpiece. Foxing’s debut album, 2013’s […]
“To all the Boys I’ve Loved Before” Bailey Morrison Editor-in-Chief As an avid rom com lover, I can pretty much sit through any cringe-worthy movie without batting an eye, and recently Netflix has taken to […]
“This album is in no way intended to glorify addiction.” These are the select words that adorn the cover of Fayetteville, North Carolina rapper J. Cole’s fifth studio album, “KOD,” which dropped Friday, April 20. […]
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